Thursday, 23 August 2012

EDEM MASS PRODUCTION ALBUM REVIEW

                                       Mass Production                    Album review
                                                           By: Julius Kweku Doh
So I got the album entitled Mass Production by Edem and the album art had him sitting in a couch with dark shades on. The first thing that came to mind was the album art of Lil Wayne’s Rebirth. Aside the guitar lying on the laps of Lil Wayne on the said album art, both album arts have the same concept. I took a listen to the album and realized that, n

Mass Production album art
ot only does the album art share resemblance with that of Lil Wayne’s Rebirth, but Edem took an experiment with various genres just as Wayne did on The Rebirth.
Prior to the final album release, we heard the single Ghetto Arise which had Edem taking an experiment with the Reggae genre, something we never saw him do on his first album. So if you do not agree with me that the album is an experimental one after listening to it, then you should ask yourself why a hip-life act like Edem will go all Bob Marley by doing reggae, crooning like an RNB man, and even doing Rock and Roll.
In the first place, I must commend Edem for his ability to juggle between rapping, singing and doing the Jamaican thing. It is a mark of a true craftsman and based on these qualities, he is able to do the experiment to near perfection. I say near perfection because the reggae he did couldn’t be better than that of Rocky Dawuni, neither was the Rock and Roll experiment close to the smooth sailings of Elvis Presley, however, he does it so well that he could pass for a reggae act or a rock and roll act or any other genre he experimented with.
We know reggae songs to be the kind of songs that present the plight of those in the Ghettos and the underprivileged. Edem does this well with Ghetto Arise, the second song on the album which is produced by Red Eye of the hip-life group 2Toff. Most of you will be familiar with the song and will agree with me when I say it is very inspirational and encouraging for any youth in the Ghettos who is trying hard to make life a better one. Stand for the truth, believe in yourself and work hard are the messages Edem carries across with this song.
The experiment continues on the E.L produced Wetin Dey as Edem becomes a Rock and Roll man. He describes a love situation where he shows the most of love to his partner but the partner does not reciprocate his love. The song appears twice on the album with the second one featuring rapper Gemini. I must state clearly that I have not been fan of Gemini and on this cut; he does not give me reason to be as he does his usual tongue twisting thing where you cannot tell exactly what he is saying.
I must say however that, as much as Edem experiments with various genres, he stays true to his roots as a rapper. Most of the cuts on the album have rap cutting through as much as possible. Whether it was the lyrical fist fight with fellow rapper Tinny on The Legacy, or proving his lyrical capabilities on Medekuku, Edem combines a mix of metaphors and similes with flawless punch lines to claim his spot as one of the best Hip-lifers of the new school. His ability to deliver packed bars is displayed on Too Much as well as Kate featuring Joey B.
One thing I will always speak against in the Hip-life industry is beat making and production. As much as Edem proves himself as a true craftsman with his lyricism, I must say the production does not complement his efforts. Whether it was E.L trying to change the instrumentation of Eminem’s We Made You, or Lil Shaker flipping Ace Hood’s Cashflow, a little kid could even tell where those beats were lifted from. I must commend Hammer of the Last Two however, and I must not justify that as we all know how the good old Hammer has tasted and still tastes. Red Eye also does a clever job on Ghetto Arise with his beautiful reggae vibrations. Genius Selection’s abilities is once again proven as he weaves the beautiful horns to the party anthem Over Again, I must say it is one of my favorite on the album.
All in all, I think Edem is beyond just a rapper. He faultlessly proves his other strengths as a good singer and a master of the Jamaican Lingua thing. So if you want a modern day experiment by a hip-life act, throw a few Cedis on Edem’s album Mass Production and you will not skip a track.

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